Posts Tagged ‘advertising’

Are Advertisers Ready to Embrace Baby Boomers?

Advertising, Audience Demographics, Audience Engagement, Internet, Marketing, Media, Social Media, Television | Posted by Larry Greenberg
Aug 31 2010

Is it time for advertisers to cast aside 50 year-old assumptions about 50 year-olds?

Pew just released a study that reports social networking among the over-50 set has nearly doubled – from 22 percent in April 2009 to 42 percent in May 2010. Although still heavily dependent on email, “many older users now rely on social network platforms to help manage their daily communications,” said Pew Senior Research Specialist Mary Madden, author of the report.  “Young adults continue to be the heaviest users of social media, but their growth pales in comparison with recent gains made by older users.”

Indeed, wrote Nielsen, 8 of the 10 most frequently visited web sites for 18 to 34-year-olds are the same for baby boomers, the generation born between 1946 and 1964. Nielsen also reported that the boomers spend 38.5 percent of Consumer Packaged Goods (CPG) dollars, yet less than 5 percent of advertising dollars are targeted toward the 35 to 64-year old age group.

Baby boomers number 79 million, according to USA Today, the largest age demographic in the nation.  Are advertisers missing an opportunity with this enormous group?  Are marketers still wedded to the notion, which became conventional wisdom some 50 years ago during television’s early days, that most advertising dollars should be spent in pursuit of the youth market? Or are we about to witness a shift in advertisers’ approach to older consumers?

Boomers, said Pat McDonough, Senior Vice President, Insights, Analysis and Policy at the Nielsen Company, “… are the largest single group of consumers, and a valuable target audience. As the U.S. continues to age, reaching this group will continue to be critical for advertisers.”

The television audience is getting older as well.  Forbes recently reported that the median viewing age for the four largest national broadcast networks is 51 years-old. The average age increase reflects in part the dwindling numbers of young people who watch the networks.

As a result, TV’s share of the advertising pie continues to shrink. A joint survey by ANA (Association of National Advertisers) and Forrester Research of more than 100 national advertisers showed that advertisers allocated only 41 percent of their media budgets to television in 2009, down from 58 percent in our 2008.  But that same survey also showed that about 80 percent of advertisers believe the 30-second spot will still be around in 10 years.

So as brands reassess their marketing mix, with branded entertainment and the Internet playing a bigger role, will they also reconsider their demographic strategy?  Instead of focusing predominantly on 18 to 34 year-olds, will advertisers also try selling more to older audiences?  Alan Wurtzel, president of research and development at NBC, told Forbes that advertisers are beginning to take a second look at this demographic.

This would likely please late-night host Craig Ferguson, who shared his own thoughts on television’s youth marketing strategy in a funny rant last year.  (See “Appealing to the Youngest Common Denominator.)

Most of all, it should make advertisers happy, as they see their sales increase.

Appealing to the Youngest Common Denominator

Audience Demographics, Branding, Film, Internet, Marketing, Media, Online Video, Television | Posted by Larry Greenberg
Aug 11 2009

New York Times film reviewer A.O. Scott recently lamented Hollywood’s reliance on formulaic juvenility.  Just look at this summer’s crop of sequels, comic-book based adventures and bawdy comedies. For Scott, the issue wasn’t whether they were financially successful – many were – but whether box office success means movie-goers actually liked what they saw.

Cinemas continue to attract audiences, despite countless other entertainment options. It could be that unlike professional movie critics,  ticket buyers, both young and old, enjoy what the studios are offering. It could also be that going to a movie theater is still a relatively inexpensive (if you forgo the super combo at the concession stand), immersive and social experience. It’s a good excuse to get out of the house. For many, it would take a record string of stinkers to break their movie-going habit.

Scott’s wish that Hollywood give more original, mature and complex films a chance to find an audience has been echoed by many.  I share the sentiment. I would probably go to the theater more often if only there were more interesting choices.  But the studio statisticians aren’t about to ignore numbers like these: According to a 2007 MPAA Movie Attendance Study, “although 12-24 year-olds represent 22% of the total population in the United States, they represent 27% of all moviegoers and 41% of all frequent moviegoers.”   No surprise that the teenager perspective totally rules.

Scott is not the only one to recently express unhappiness with Hollywood’s long-accepted youth marketing strategy. Late night talk show host Craig Ferguson recently railed in his monologue against television advertisers, their obsession with the young adult demo, and how this is the reason why many shows tend to be sophomoric or, as he puts it, “why everything sucks.”

You can view Craig Ferguson’s monologue here:

The conventional wisdom, established by the television advertising industry some time back in the 1950s, is that young audiences are most valued because they represent an opportunity to build a lifetime brand relationship. Television programming executives, therefore, must design shows to reel them in; to do otherwise would be innovative, but possibly career-ending, risk-taking.

Can we expect studios and networks to continue to cater to the tastes of a young audience at the expense of the older demographic?  Or will the emerging economics of the online world enable new opportunities for producers to serve the diverse tastes of a chronologically broader audience?

Decades after U.S. homes began being wired, cable networks finally began to deliver programming with the sophistication, interwoven plotting and nuanced character development of a great novel.  Premium networks like HBO broke the mold with The Sopranos and Six Feet Under, and now the basic cable networks have followed suit with such series as Mad Men and Breaking Bad.

Online “television,” which is associated typically with user-generated content, is often accused of celebrating juvenility.  As the technology grows up, it’ll develop into a platform that better serves a broader demographic. And then, who knows? If the quality of the content is good enough, some people might be willing to pay for it.